I recently read Summer
House with Swimming Pool by Herman Koch, and while it wasn’t a favorite it
did make me curious about his other novels. The
Dinner, perhaps his most well-known book, was the next one I chose. It’s
the story of – surprise – a dinner, with the culmination of events that are
told partly through flashback and partly over the course of the meal.
It’s interesting to have read novels by the same author
written years apart (this was first published in 2009). Of the two, I prefer The Dinner but I can see how Koch’s plot
structuring improved by Summer House with
Swimming Pool. Koch writes in Dutch so I’ve only read translations, but the
growth is, conveniently, in areas that are unlikely to suffer by changing
language.
I found the structure of this novel very interesting. The
plot follows the pattern of the meal, where the main course coincides with the
rising action and the novel is “polished off” with an aperitif at the end. Paul
is continually annoyed by the restaurant staff, who interrupt the flow of
conversation to continually over-explain the dabs of food that have been brought
out. This annoyance carries over to the reader, as the story is cut off while
the courses are described.
I was expecting more of a shock factor from this book, and
while it definitely takes some unexpected turns, they’re still believable. I
never had a moment that made me put the book down and say “Whoa.” And it works.
The characters evolve so gradually that the next step is never a leap. As more
of the plot is revealed, qualities I didn’t consciously process become suddenly
relevant. I think the most unsettling thing about this book is how easy it is
to accept. Its foot-in-the-door approach is disturbingly effective. The blurb
on the front says that Gillian Flynn found The
Dinner “unputdownable” and I have to agree. I read the book in two
sittings, and I would have done so in one if I’d had the time.
4 out of 5 stars
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